The Art of Furniture Encyclopedia: Mayhew & Ince

Front Plate of Mayhew & Ince A Universal System for Household Furniture

We are continuing our series entitled The Art of Furniture, an online encyclopedia of furniture and decorative arts.  In our previous posts, we looked at Queen Anne and the furniture associated with her reign followed by a look at a particular material and style, burr.

A Map of Soho showing both Broad Street and Marshall Street where Mayhew & Ince had workshops

Today we are highlighting the work of an influential cabinetmaking workshop led by the influential designers John Mayhew and William Ince. Mayhew was originally apprenticed to William Bradshaw, the upholsterer, of Soho Square, and Ince apprenticed to John West of Cocent Garden from 1752 until West’s death in 1758.  The partnership ran from 1759 to 1809 in London, with workshops in Broad Street, Soho followed by a space on Marshall Street, Carnaby Market.  Initially describing themselves as ‘cabinet makers, carvers and upholders,’ this was variously amended over the term of the partnership to include such terms as ‘dealers in plate glass,’ the categories of ‘cabinet maker’ and ‘upholsterer,’ however, remaining constant.

A Plate from Mayhew & Ince, Universal System of Household Furniture

In 1762 Mayhew and Ince published the Universal System of Household Furniture dedicated to the Duke of Marlborough.  It was a folio of drawings and descriptions in both English and French that was produced in direct competition to their biggest trade competitor, Thomas Chippendale. Chippendale’s The Gentleman and Cabinet Makers Director (which Ince had been a subscriber to) had first been published in 1754 and circulated around the country to the mainly aristocratic subscribers. Fairly quickly it became the industry standard amongst regional and colonial cabinet-makers.  It established Chippendale’s name, not only as a manufacturer of furniture but possibly the first interior designer, advising his noble clients on their overall project, from the colour of their walls to their soft furnishings.  Ince & Mayhew quickly realised the commercial benefits of producing such a body of work and quickly followed suit.

Mayhew and Ince’s style was altogether more classical than that of Thomas Chippendale with elaborate use of inlaid woods and marquetry.  They were very much influenced by the French taste.  They worked closely with Robert Adam, most notably for Sir John Whitwell at Audley End in 1767, for the Duchess of Northumberland in 1771, for the Earl of Kerry in 1771 and, most importantly for the Duchess of Manchester in 1775 creating the Kimbolton Cabinet.

Below we are sharing some pieces in our collection that are attributed to Mayhew & Ince.

A George III Marquetry Commode attributed to Mayhew & Ince
Mackinnon Fine Furniture Collection

A George III Harewood Marquetry Pembroke Table attributed to Mayhew & Ince
Mackinnon Fine Furniture Collection

A George III Marquetry Commode attributed to Mayhew & Ince
Mackinnon Fine Furniture Collection

A Pair of George III Giltwood Armchairs attributed to Mayhew & Ince
Mackinnon Fine Furniture Collection

A George III Yew Cabinet attributed to Mayhew & Ince
Mackinnon Fine Furniture Collection